Friday, April 16, 2010

Art Find Fridays

Josh Keyes paints images of wildlife making the genre relevant with jolting surrealism. I love his work. It's highly illustrative, disturbing, beautiful and wrong, that to me is a juicy mix for some interesting art.

"Island"
30"x40" acrylic on panel
2009

"Burst I"
30"x80" acrylic on panel
2009



Paula started the idea of posting art finds on Fridays. Check out her find this week.

Friday, April 9, 2010

Down by the River

Train Passing
Ellen Sereda

I'm still painting feathered creatures. I got a new camera last year, an entry level SLR. I'm not a materialistic person, but I have an attachment to this camera that borders on unhealthy. I love it so much, I think my kids feel in competition with it. They do however, think it's hysterically funny that I would rather give up all my clothes and be naked than give up my camera. I think I'm serious when I tell them that. The only thing that I've discovered that bothers me about my new camera, is that it didn't automatically make me a great photographer.

After shooting about 1000 pictures these past two weeks, I got maybe 15 good shots. I was so frustrated by my ineptitude, I blamed my surroundings instead of myself. I told myself I was hanging out too much in beautiful places. All these lakes and mountain vistas, I've been oversaturated by beauty, maybe I needed something grittier, more urban. I don't have anything urban in my commuter suburb town, but there is a run down area, by the train tracks and the river. When I told my husband I was going there to take pictures, he said with a smirk (and probably a little truth) , "watch out for the Hell's Angels".

My first time I went down by the river was years ago, just before Christmas. I received some kind of government cheque in the mail, wrong person, wrong address. Working in social services at the time, I assumed it was a welfare cheque. I felt terrible about the mistake and imagining some poor man with no money before Christmas and the hassle he would have to go through to get another cheque, I decided to hand deliver the cheque myself (I was naive and didn't know you weren't allowed to do that at the time).

I was surprised when I found the address on the map. I knew there was a shake and shingle mill and some run down businesses but I didn't think anybody lived by the river. When I got there, I discovered, nestled among a few industrial type shops were several houses. They were decrepit shacks that looked like they should have been condemned. I found the address and noticed two men in a wrecked car on the lawn, obviously strung out on drugs. I pegged it for a crack house and wanted to turn around but didn't because... I'm sort of stupid and a little determined sometimes.

As I was trying to muster up some nerve to get out of my car, a man walked out of the house, a big, mean and scary looking biker dude. I thought, oh God, look at him! he's killed people! I just know it, this is it, I'M GOING TO DIE TODAY. Nobody will hear my screams and oh, how convienient, there's the river! They don't even have to drive, they can just walk over and throw in my cold, lifeless, dead body.

The man didn't speak, he just stared at me suspiciously . I croaked out a weak "Hi, uh, are you _________? "

He nodded.

"Oh, well, ha, umm...I guess I got your mail by mistake, I thought you might need it" and screamed silently to myself, "PLEASE DON'T KILL ME!"

He took it, said nothing and left. As I drove away, calming myself down, I started to think, "I know that man from somewhere" but I couldn't place where it was I had seen him.

Several weeks later, passing by a lottery kiosk in a store where I often shopped, there he was. It was a picture of him that had been hanging there for about a year. He had the same suspicious, unsmiling expression as he held up a nice fat cheque in his hand. He had bought a winning ticket at the kiosk and won the lottery, a six figure sum.

What the hell was he doing living in that falling apart shack by the river, getting government cheques? I'll never know.

The riverfront is slowly changing. One day, probably sooner than later, the shacks and old shops will be gone and there will be ice cream kiosks, cafes and tourist shops where you can buy Indian dreamcatchers made by authentic white suburban housewives doing piecework while watching The View. People will take leisurely strolls down there with their families and their dachshunds and toy poodles. Until then, here are some of the pictures I took last week. The robin I painted above was there, looking a bit rough around the edges. But that's to be expected, he lives down by the river.


Tuesday, March 30, 2010

The Jays are Back in Town

While I plod away at this raven painting, some other paintings and drawings, finish my website and do all the other stuff in my life that needs my attention, I'll leave you with the sweet sounds of spring in my backyard. Steller's jays have begun nest building. My husband shot this 17 second (spectacularly uneventful) video 2 years ago when their fledglings where hopping about in our yard. Beautiful birds, but bold and noisy. The sound they make, right outside my bedroom window, fills me with fantasies of slingshots and BB guns. Nooooo, I would never, of course, but they do make crow caws sound like the Vienna Boys Choir.

Some of you may have seen this artist profiled on the popular website, My Love for You is a Stampede of Horses.

Kate MccGwire, creates sculptures with various organic mediums. Her pigeon feathered organic sculptures are full of grotesque beauty, fascinating yet disturbing.

Thursday, March 4, 2010

It's okay to be a bird nerd.

Great Horned Owl
12"x12" Acrylic
Ellen Sereda


It took me about 2 weeks to paint this picture. It was tedious and required concentrated effort or I would lose my place in all the pattern. For some unknown masochistic reason, I threw out the art school rules and painted it with the thinnest, tiniest brush I own, putting on 6 layers of acrylic glazes to get the depth I was after. It felt like art self flagellation in the beginning. As though I was punishing myself for my crappy attention span and increasingly poor ability to focus.

Somewhere about 2/3 of the way through, everything changed. I settled into a rhythm and concentration was easy. I also didn't care about the outcome, the process was so engaging and meditative, I was in the zone applying paint, brush stoke after brush stoke. I let myself go in the process of slowly rendering the illusion of something real with paint. It felt such like a healthy refuge from the sometimes chaotic busyness of life. A direct contrast from the speed and distractive nature of phones, email and social networking sites (FACEBOOK). To get a fascinating and sometimes sobering look into digital media and the effect it's having on our lives, check out Frontline:Digital Nation (you can watch it online). You blogging, facebooking, tweeting people need to see it.

I also had to give myself permission to paint the owl for no other reason than I like them. I'm guilty of that annoying characteristic of Canadians - apologizing. I had a nagging little voice inside me say, "Sorry, I'm going to paint this owl because I'm a bird nerd, oh, sorry for that too. This owl's name is Hagrid, a young great horned owl and is part of the Birds of Prey program at the Vancouver Zoo and my daughter got to hold it! Sorry for boring you with the details and getting so excited. But it was a special day. Okay. I'll stop now. Sorry"

I'm over that now, I've been busy painting many other feathered creatures I've snagged photos of recently, which I hope to post soon. I'm unapologetically going to paint what I want, which was what I was doing before anyway, just feeling guilty about it, for no sensible reason whatsoever . Neurotic, I know. If you have the same problem as me about being self depreciating about your art, read this, and get over it. Now, must get back to put the finishing touches on a house finch. Later, good people.

Wednesday, February 17, 2010

I'm sorry, but I can't help myself...


I live in a commuter suburb about an hour outside Vancouver. The Olympics are here and although I am well aware that it's a fascist, corporate, money sucking event that hurts almost every city that hosts the games, I can't help myself.... I got the fevah. *bites hand*.

Stephen Colbert is in town and will be taping his show here for part of this week (you can read why here). I'm failing to make my family understand the importance of this and why we must get up super early and catch the train to Vancouver. Stephen Colbert to me is like the Jonas Brothers or Hannah Montana to an 8 year old girl, except I act all cool like and contain my screaming to inside my head. Both my daughters, age 8 and 10, reminded me that they neither like the Jonas Brothers or Hannah Montana... so there. And in all truthiness, my love of sleeping in will probably win over any celebrity fan love.

I suppose another reason I should hang my head in shame over my Olympic fever, is that arts and culture funding was drastically cut in the Provincial budget to help pay for the Olympics. The gallery where I participated in a show last month, like every non commercial gallery in the province, is desperately trying to find ways to survive. I suppose the not for profits will have to be better capitalists and find innovative ways to sell, sell, sell to public tastes. In some cases that might not be bad, in other cases, it will be, as the bigger venues, might have to cater to watered down, mainstream interests to generate the revenue to stay afloat. Mc-art for the Mc-masses.

During the Olympics though, arts in Vancouver are heavily involved, both in public art displays and events. My sister is in town and gave a great, hilarious performance in Fear of Flight, a theatre event for the Cultural Olympiad. I'm hoping to see as much as possible, but that will probably be a harder sell than dragging my kids to see Stephen Colbert.

Wednesday, January 20, 2010

I.F.

Wilderness
for Illustration Friday
and the final page of the traveling sketchbook
(You can click on the image to see it larger)


Wednesday, January 13, 2010

Thenthitive Artith

Musically this won't rank on any play list of mine, but it is silly and relevant.

I'm forcing myself to be less sensitive (okay, less misanthropic is what I really mean, ahem) and get out of my hermetic shell lately, first by getting 8 inches of my hair chopped off. It's not as though I was attached to my long hair as much as I don't like strangers touching my head. But getting the haircut was actually endurable, pleasant even. The hair stylist was a guy and we talked about how "terrible it is that in new Xbox game 'Modern Warfare', the violence is so realistic you can see brains splattered on windshields and stuff". No girly talk. Phew. But he did show me the proper way to style my hair, which I immediately forgot because there is no compartment in my brain designated to store fashion/hair information.

Next thing I did was enter a local juried art show. It's an annual show in our city gallery I've been meaning to enter for 10 years, but never pay attention to the deadline. It's the earliest (and simplest) goal for this year for art making and art showing. I won some sort of award for this piece.

I don't know which award, I have to go to opening night to find out. My reclusive self would rather not, but my ego will be pushing me out the door. I'll go and take pictures and try to be more entertaining. In the meantime, I suggest you go read Chris Rywalt's (author of NYC Art) hilarious post on some of the inane art making and art criticism in the NYC art scene.

Monday, December 14, 2009

Santa Claus and Killer Bunnies


This picture is from Awkward Family Photos, a hilarious and addictive site, go take a look.

Several years ago while shopping for Christmas gifts for underprivileged children in my town, my 3 three year old daughter made the inevitable logical connection and asked, "but Mommy why do we have to buy them presents, why doesn't Santa just bring them toys?" I hesitated for a moment, then gently told her the truth. I hate lying to my kids. Also, growing up in an Estonian household, the whole Santa myth is alien to me. We celebrated everything on Christmas Eve. Having Santa show up while you're nibbling your Estonian Christmas Eve dinner of blood sausage, head cheese and beet potato salad would be a tough trick to pull off (but a good distraction given the menu, bleh).

I've come across parents who seem to want to keep the belief in a magic fat old guy alive up until their kids are filling out their college applications. Many of those same parents have instilled a belief in their children of really goofy things, like the Easter bunny. I listened incredulously to a 7 year old and her parents talk about the giant rabbit that comes down from the mountains on Easter morning to bring her chocolate. Now that is f*cked. Because if that's the kind of weirdness we're having our kids believe, this could be equally just as true.....

Monday, December 7, 2009

Yes, more crows

"Unravel"
acrylic and aluminum
Ellen Sereda

It took a week, but I was able to finish the painting I mentioned in the last post. I think I spent as much time carving in the lines of the fossils at the bottom and the cityscape as I did painting the rest of the piece.

Focusing my spare moments on art has made me almost completely non verbal online. Actually, who am I kidding. It makes me non verbal in my day to day life as well. I just walk around mumbling and forget to comb my hair and button up my coat on cold days. It is good I have kids to bring me back to reality with their constant daily needs and chatter.

I did catch a recent video on TED highlighting Edward Burtynksy's photographic series on the landscape of oil. These jaw dropping images do remind me I should park (or do away with) my stupid minivan. Who says art doesn't have some real life impact.